Hubertus von Hohenlohe Mexico City, Mexico, 1959
Paradise for everyone, 2022
Photography on lightbox
180 x 260 cm
POA
Hubertus Von Hohenlohe infiltrates his photographs in a shameless and almost arrogant way, being both spectator and protagonist, an uninvited voyeur who sneaks into his own party. The artist successfully...
Hubertus Von Hohenlohe infiltrates his photographs in a shameless and almost arrogant way, being both spectator and protagonist, an uninvited voyeur who sneaks into his own party. The artist successfully mixes intuition and careful post-production work to create a universe that is totally playful, fresh and different.
Exposiciones
15 minutes of fame, Unicaja foundation
Literature
Announcing his life as if it were a product for sale, his work becomes an advertisement, the vibrant colours of the city, the lights and the movement create a captivating space where the artist loses himself in a sort of almost sacred collages; the venerated saints are ourselves, our ego, our image. The iconography of movies and advertising surrender to the repeated image of the artist who elevates his figure almost to the altars of narcissism. Hubertus plays with our perception of the world and invites us to rethink who our new gods are.4
de
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