Hubertus von Hohenlohe Mexico City, Mexico, 1959
Rip Curl, 2014
Photography printed on silver dibon
150 x 100 cm
Ed: 1/6
Rooted in the concept of Objet Trouvé, Hohenlohe does not create, but rather uncovers. His lens rescues what has been cast aside, capturing the accidental beauty of discarded materials—folded papers...
Rooted in the concept of Objet Trouvé, Hohenlohe does not create, but rather uncovers. His lens rescues what has been cast aside, capturing the accidental beauty of discarded materials—folded papers turned into sculptural forms, layered fabrics revealing abstract landscapes, and remnants of pigment whispering traces of forgotten paintings. These found objects become windows into a world of Peinture Trouvée, where painting is no longer intentional, but a result of chance, time, and abandonment.
Exposiciones
Peinture Trouvée: The art of serendipity
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