The latest project by the artist Angel Haro, in which he continues his singular trajectory as a builder of a volumetric imaginary that seduces us with its unsettling proximity to the telluric, to darkness, to light and shadow. Haro's great knowledge of plastic tools and the artist's powerful way of using them contribute to this.

These geometrical objects take shape in the exhibition, as he usually does, in different ways. Sometimes they manifest their imposing physical presence three-dimensionally amidst the nakedness of a room and make clear their intention to keep us (the viewers) at a certain distance. Some of their titles already tell us everything: "Frisian Horse". Others become playful and with the complicity of light and movement are capable of making us change the dumbfounded gesture for an accomplice smile and transport us to our longed-for childhood in the intimacy of four dark walls.