Montserrat Gómez-Osuna Barcelona, Spain, 1964
Tinaja de Alcora, 2023
White clay, oxides and glaze
28 x 30 x 31 cm
Montse Gómez Osuna’s ceramic work reimagines everyday domestic objects as poetic, sculptural forms. Bottles, plates, and glasses—shaped delicately by hand—emerge not as functional items but as contemplative vessels imbued with...
Montse Gómez Osuna’s ceramic work reimagines everyday domestic objects as poetic, sculptural forms. Bottles, plates, and glasses—shaped delicately by hand—emerge not as functional items but as contemplative vessels imbued with presence and memory.
Her process is intuitive and tactile, allowing each piece to unfold organically without pre-planned sketches. Fragments often appear—broken and reassembled—highlighting themes of impermanence, transformation, and quiet resilience.
Through clay, Montse explores the tension between fragility and permanence, tradition and experimentation. The result is a body of work where the ordinary becomes enigmatic, and the familiar is recast with subtle emotion and symbolic depth.
Working from her studio in Madrid, she continues to expand a practice rooted in curiosity, freedom, and material sensitivity.
Her process is intuitive and tactile, allowing each piece to unfold organically without pre-planned sketches. Fragments often appear—broken and reassembled—highlighting themes of impermanence, transformation, and quiet resilience.
Through clay, Montse explores the tension between fragility and permanence, tradition and experimentation. The result is a body of work where the ordinary becomes enigmatic, and the familiar is recast with subtle emotion and symbolic depth.
Working from her studio in Madrid, she continues to expand a practice rooted in curiosity, freedom, and material sensitivity.
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