Overview

I focus on people and on documenting everyday rituals that often go unnoticed. My choice of subjects is strongly influenced by my female experience and a conscious approach to everyday life.

 

Angélica’s work reflects on the formation and loss of identity through everyday rituals that often go unnoticed. Her choice of subjects is heavily influenced by her experiences as a woman and a perennial migrant.  She uses mixed media to build on the underlying themes of the photograph. She is inspired by traditional and indigenous cultures’ to speak about modern themes, and the Latin-American tradition of using traditional women’s crafts to advocate for gender equality. Through the different mediums she is also representing her relationship to the subjects and her desire to accompany or protect them in addition to telling their stories.

 

A Spaniard, born in Mexico daughter of Peruvians, Angélica has lived on four continents and considers herself a cultural mix.

Works
  • Guns of Brixton
    Angélica Arbulu
    Guns of Brixton, 2020
    Photograph printed on cotton satin
    147 x 99
    Ed: 3
  • Wish I wasn’t here
    Angelica Arbulú
    Wish I wasn’t here, 2024
    Photography printed on Hahnemühle photo Rag paper protected with polyvinyl resin over crackled black 4.0 and metal pins.
    40 x 40 cms
  • Read my lips
    Angelica Arbulú
    Read my lips, 2024
    Photography printed on Hahnemühle paper, mounted on canvas and stiched
    40 x 40 cms
  • Ophelia
    Angelica Arbulú
    Ophelia, 2024
    Photograph printed on Hahnemühle photo Rag paper protected with polyvinyl resin stitched onto canvas with white and silver cotton fibers.
    40 x 40 cms
  • Ophelia's ghost
    Angelica Arbulú
    Ophelia's ghost, 2024
    Hand painted double photograph transparency, one printed on chiffon, one on crepe de chine
    116 x 86 cms
  • Alchimides' Theorem
    Angelica Arbulú
    Alchimides' Theorem, 2024
    Photograph transparency printed on chiffon and cotton de chine
    73 x 108 cms
  • Lonely Boy 1
    Angelica Arbulú
    Lonely Boy 1, 2024
    Photograph manually transferred onto canvas, coated with encaustic resin and with gold leaf appliques, protected with polyvinyl resin.
    28 x 28 x 3 cms
  • Crocodile eyes
    Angélica Arbulú
    Crocodile eyes, 2022
    Printed on Hahnemühle paper mounted on dibon
    50 x 70 cm
    Series: Sine Personae / The time of the Lobster
  • Pop out more
    Angélica Arbulú
    Pop out more, 2022
    Printed on Hahnemühle paper mounted on dibon
    40 x 60 cm
    Series: Sine Personae / The time of the lobster
  • Hair
    Angélica Arbulú
    Hair, 2022
    Printed on Hahnemühle paper mounted on dibon
    50 x 70 cm
    Series: Sine Personae / The time of the lobster
  • Free the butterfly
    Angélica Arbulú
    Free the butterfly, 2022
    Printed on Hahnemühle paper mounted on dibon
    50 x 75 cm
    Series: Sine Personae / The time of the lobster
  • Did I say yes?
    Angélica Arbulú
    Did I say yes?, 2022
    Printed on Hahnemühle paper mounted on dibon
    35 x 50 cm
    Series: Sine Personae / The time of the lobster
  • Be happy first
    Angélica Arbulú
    Be happy first, 2022
    Printed on Hahnemühle paper mounted on dibon
    60 x 90 cm
    1/3
    Series: Sine Personae / The time of the lobster
  • Awkward
    Angélica Arbulú
    Awkward, 2022
    Printed on Hahnemühle paper mounted on dibon
    35 x 50 cm
    Series: Sine Personae / The time of the lobster
  • On the edge of thirteen
    Angélica Arbulú
    On the edge of thirteen, 2022
    Printed on Hahnemühle paper mounted on dibon
    50 x 70 cm
    1/5
    Series: Sine Personae / The time of the lobster
  • Does it really matter?
    Angélica Arbulú
    Does it really matter?, 2023
    Printed on Hahnemühle paper mounted on dibon
    35 x 50 cm
    Series: Sine Personae / The time of the lobster
  • Why?
    Angélica Arbulú
    Why?, 2023
    Printed on Hahnemühle paper mounted on dibon
    30 x 50 cm
    1/5
    Series: Sine Personae / The time of the Lobster
  • A woman's burden - Bangladesh
    Angélica Arbulú
    A woman's burden - Bangladesh, 2018
    Photography
    Ed: 1 / 3
    Series: Silent Warriors
  • Road to nowhere - Mauritania
    Angélica Arbulú
    Road to nowhere - Mauritania, 2018
    Photography
    55 x 80 cm
    Framed: 70 x 97 cms
    1/3
    Series: Beyond the horizon
  • Crimson - China
    Angélica Arbulú
    Crimson - China, 2017
    Photography
    26 x 36 cm
    Framed: 45 x 60 cms
    Ed: 1 / 3
    Series: Beyond the horizon
  • Against the volcano
    Angélica Arbulú
    Against the volcano, 2014
    Photography
    43 x 56 cm
    2/3
    Series: Silent wariors
  • Thunderbolt
    Angélica Arbulú
    Thunderbolt, 2014
    Photography
    53 x 80 cm
    Framed: 70 x 97 cms
    Ed: 1 / 3
    Series: Beyond the horizon
  • Weaving traditional colors - Guatemala
    Angélica Arbulú
    Weaving traditional colors - Guatemala, 2014
    Photography
    Ed: 1 / 3
    Series: Silent wariors
  • 21st century witch
    Angelica Arbulu
    21st century witch, 2011
    Photography
    56 x 43 cm
    Series: Silent wariors
  • Girl with plate - Colombia
    Angélica Arbulú
    Girl with plate - Colombia, 2010
    Photography
    43 x 56 cm
    Ed: 2 / 3
    Series: Silent wariors
  • Mothers - Colombia
    Angélica Arbulú
    Mothers - Colombia, 2010
    Photography
    43 x 56 cm
    Ed: 2/3
    Series: Silent wariors
  • The heart of Africa - Uganda
    Angélica Arbulú
    The heart of Africa - Uganda, 2010
    Photography
    23 x 35 cms
    Framed: 45 x 60 cms
    Ed: 1 / 3
  • As if you were mocking my pain - HPT
    Angélica Arbulú
    As if you were mocking my pain - HPT, 2009
    Photography
    43 x 56 cm
    Ed: 2/3
    Series: Beyond the horizon
  • Listen to my secrets - Jerusalem
    Angélica Arbulú
    Listen to my secrets - Jerusalem, 2009
    Photography
    43 x 56 cm
    Ed: 2/3
    Series: Silent wariors
  • Teacher - Uganda
    Angélica Arbulú
    Teacher - Uganda, 2009
    Photography
    Ed: 1/3
    Series: Silent wariors
  • Alms - Laos
    Angélica Arbulú
    Alms - Laos, 2008
    Photography
    40 x 60 cm
    Framed: 56 x 76 cms
    Ed: 1/3
    Series: Beyond the horizon
  • Rusian market - Cambodia
    Angélica Arbulú
    Rusian market - Cambodia, 2008
    Photography
    Ed: 1/3
    Series: Silent wariors
  • Chicken
    Angelica Arbulu
    Chicken, 2007
    Photography
    43 x 56 cm
    Series: Non rush hour
  • Fish and feet
    Angelica Arbulu
    Fish and feet, 2007
    Photography
    43 x 56 cm
    Series: Non rush hour
  • Girl with fish
    Angelica Arbulu
    Girl with fish, 2007
    Photography
    43 x 56 cm
    Series: Non rush hour
  • And if this were my last sunrise
    Angélica Arbulú
    And if this were my last sunrise, 2004
    Photography
    40 x 60 cm
    Framed: 56 x 76 cms
    Ed: 1/3
  • Waiting for my turn - Somalia
    Angélica Arbulú
    Waiting for my turn - Somalia, 2003
    Photography
    40 x 60 cm
    Framed: 56 x 76 cms
    Ed: 1/3
    Series: Beyond the horizon
  • If I could go anywhere - Somalia
    Angélica Arbulú
    If I could go anywhere - Somalia, 2003
    Photography
    13 x 18 cm
    Ed: 2/3
    Series: Silent wariors
  • Mother and child - Somalia
    Angélica Arbulú
    Mother and child - Somalia, 2003
    Photography
    18 x 13 cm
    Ed: 1/3
    Series: Silent wariors
  • At the end of the day
    Angelica Arbulu
    At the end of the day
    Photography
    43 x 56 cm
    Series: Life at the border
  • Crystal Eyes
    Angelica Arbulu
    Crystal Eyes
    43 x 56 cm
    Series: Silent wariors
  • Daughter
    Angelica Arbulu
    Daughter
    Photography
    43x56cms
    Series: Silent wariors
  • Market 4
    Angelica Arbulu
    Market 4
    Photography
    43 x 56 cm
    Series: Non rush hour
  • Markets 2
    Angelica Arbulu
    Markets 2
    Photography
    43 x 56 cm
    Series: Non rush hour
  • Ripped tomatoes
    Angelica Arbulu
    Ripped tomatoes
    Photography
    43 x 56 cm
    Series: Non rush hour
  • Shepherdesses
    Angelica Arbulu
    Shepherdesses
    Photography
    43 x 56 cm
  • Three generations
    Angelica Arbulu
    Three generations
    Photography
    43 x 56 cm
    Series: Non rush hour
Biography
Her work reflects on the formation and loss of identity through daily rituals that often go unnoticed. Her choice of subjects is strongly influenced by her experiences as a woman, mother, and feminist nomad. The result is landscapes that invite us to reflect and portraits that invite us to spend time in the other persons shoes.

Trained as a psychologist, Angélica  has worked as an advisor on gender issues in humanitarian contexts for the last 20 years for the United Nations, NGOs and governments.


She began studying photography in 1990 at the Center for Visual Arts (CEV) in Madrid. She has conducted workshops with Chien-Chi Chang (Magnum), Ron Haviv (VII), Allison Morley (ICP) and Tito Herrera (STUDIO on Getty Images). She was fortunate to be mentored by the late Tim Hetherington (Magnum). Angelica holds an MA from PHotoEspaña.
 
She held her first individual exhibition in 1993 and has participated in different exhibitions and festivals in Europe, Latin America, Asia and the United States, including the International Center of Photography (NY), Estampa (Spain), the Photographers Gallery (London) and at the Metropolitan Pavillion Affordable Art Fair in NY. She has received honorable mentions and awards such as the Tokyo International Photogaphy Awards (TIFA 2023 Japan) and the Black and White Spider Awards (USA 2022). Her works are part of private collections and cultural centers such as the ICP (NY), the French Alliance of Panama and Quito. Angelica recently exhibited at the Centro de Arte de Alcobendas as part of the PHotoEspaña Festival.


Angélica currently resides in Brooklyn, New York where she has been selected to undertake further training with Alex and Rebecca Webb (Magnum) in September.

Video
Exhibitions
Publications
Art Fairs